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I will say, though, there is something truly enjoyable about a villain who's just a bad person. Not every story explores the villain's backstory, nor does it really need to. Sometimes we get a hint of why they are doing something by how they do it, but it's often left open to interpretation. Of course, as a writer, you should understand your characters and their motivations. But, from and audience point of view, we don't really need to do that. Look at some of the Disney villains:
Cruella DeVil. She was sassy and glamourous and obsessed with making a coat out of puppies. Easily a tropey villain, but, damn, we love her.
Ursula, from the Litle Mermaid. The absolutely best character in the whole movie, and the only thing we know about her is that she wants to take over Atlantis.
Scar, from the Lion King. Okay, so, this is all Hamlet with fur, and his motivations are actually spelled out. but even if we had to dig for his reasoning, he sticks in the mind so very well.
Maleficent. Even before she got her own movie, she was just such an awesome and terrifying villain. She was elegant and poised and utterly evil, no explanations. I mean, cursing a baby? Dang, girl.
Hades, from Hercules. Again, his motivations are spelled out in a musical number, but here's someone else who's witty and clever and remorselessly wicked.
Cruella DeVil. She was sassy and glamourous and obsessed with making a coat out of puppies. Easily a tropey villain, but, damn, we love her.
Ursula, from the Litle Mermaid. The absolutely best character in the whole movie, and the only thing we know about her is that she wants to take over Atlantis.
Scar, from the Lion King. Okay, so, this is all Hamlet with fur, and his motivations are actually spelled out. but even if we had to dig for his reasoning, he sticks in the mind so very well.
Maleficent. Even before she got her own movie, she was just such an awesome and terrifying villain. She was elegant and poised and utterly evil, no explanations. I mean, cursing a baby? Dang, girl.
Hades, from Hercules. Again, his motivations are spelled out in a musical number, but here's someone else who's witty and clever and remorselessly wicked.

, real deep. *Applause* 